Most notably, to maximize the benefits of the stereoscopic format, Bay seems to have placed a slightly higher value on visual coherence, holding the frame longer than usual, demonstrating more continuity in the editing, allowing the viewer to savor the cars’ 3D-enhanced transformations in tantalizing slow-motion, and including enough wide shots to allow for a more generous, less claustrophobic view of the action. Scripted by “Fallen” alum Ehren Kruger, “Dark of the Moon” boasts a more cohesive story, a more varied rhythm and a fresh target-audience lust object in the form of British model Rosie Huntington-Whiteley, stepping in for the equally full-lipped Megan Fox. Having himself expressed dissatisfaction with 2009’s hugely successful but widely reviled “Revenge of the Fallen,” mass-demolition maestro Bay has made conspicuous improvements with this third entry in the live-action franchise adapted from Hasbro’s popular toys and cartoons.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |